in context of room, building and city
>Roehren 2012
an artistic and curatorial dialogue with the collection of the Museums gegenstandsfreier Kunst, especially with works of Francois Morellet, Günter Fruhtrunk and Peter Roehr: Roehrroehr 2012, 11 paperworks, 25 catalogs Peter Roehr on base, Opening Speech: Peter Friese, Museum Weserburg
>Roehren
Similar to Experiments the work of Fritz Balthaus work as reflections of their development process and their exhibition environments. Thus, his works always deal with itself and the routines of the art. The artist uses the given situation and premises - focuses on the conditions and impact forces as visible art.
Marina Zynkdach
Images clockwise:
Fig: 1
Fritz Balthaus,
Monsieur Monier, museums depot hanger Moniereisengitter painted black Otterndorf 2012
Ground floor, the main room to Roehr:
Fritz Balthaus,
Roehrroehr, Berlin 2012, paper on cardboard 105x105x5cm, 11 sheets, framed
25 cut and stacked catalogs on base, Otterndorf 2012, Peter Roehr, Museum of Modern Art in Frankfurt, Ed Werner Lippert, Paul Maenz, Frankfurt 1991
Figure 3
Peter Roehr,
o.T. 1962, ruffle on cardboard, 53,5 x53, 5x5cm
Fritz Balthaus
Morellet transport, Otterndorf 2012, wooden handles, foam tubes, sculpture Francois Morellet, Grid 1962, steel, diameter 75cm, construction situation with transport device
Figure 4
Fritz Balthaus
Babushka, 5 interlocking bases Otterndorf 2012
Kilian Breier, o.T. 1986, circular grid
Figure 5
Fritz Balthaus
Aldi bag, Günter Fruhtrunk design, 45x52cm, Munich 1970
Figure 6
Günter Fruhtrunk, o.T. Printing 4-colors, 1970
Figure 7
Fritz Balthaus,
Monsieur Monier, museums depot hanger Moniereisengitter painted black Otterndorf 2012
Fritz Balthaus
Tubes, 2 tubes, 14 cardboard tubes, Otterndorf 2012
Fritz Balthaus
Lupo, Berlin 2003, roll of bubble wrap, 240x60cm, Edition 3/1 EA